By Brandon Stosuy
Collector #333
In 2018, The Creative Independent published our first zine, featuring the emotional and practical wisdom of Philip Glass, Yumna Al-Arashi, Taja Cheek, and others on how to make a living as an artist. This is a digital edition of that work.
By Brandon Stosuy
Collector #107
A 52-page zine exploring how artists can channel their creative anxiety. Features contributions and insights from Aubrey Plaza, Melissa Broder, Anelise Chen, Jlin, Mike Rugnetta, Henry Rollins, and Nikki Sixx
By Brandon Stosuy
Collector #9
A 52-page zine exploring how artists can channel their creative anxiety. Features contributions and insights from Aubrey Plaza, Melissa Broder, Anelise Chen, Jlin, Mike Rugnetta, Henry Rollins, and Nikki Sixx
By Yancey Strickler and 6 others
Collector #92
### How to survive on the internet ___________________________________ ### A book about the cozy web, the dark web, the dark forest, the clear net, the dark net, and a new world emerging around us ___________________________________ ### This is The DIGTAL Dark Forest Anthology of the Internet
By Brandon Stosuy
Collector #77
A zine published by The Creative Independent, compiling quotes, excerpts, and recommendations from working artists, all gathered from our archive. Topics covered include always looking for better ways to express yourself, finding your path, creating work in your own voice, following your curiosity, and more.
By Yancey Strickler and 2 others
Collector #31
An exploration of individuality after the internet The Post-Individual First Edition includes "The Post Individual" essay, an audio recording and video introduction by the author, and research notes behind the piece
Collector #18
On October 25th and 26th, 2022, Baukunst gathered at Warehouse XI, just outside of Boston in Somerville, MA, to share projects, processes, and new areas of inquiry. This is a zine we published to capture notes from the gathering.
By Yancey Strickler and 2 others
Collector #24
A series of reflections from my (Yancey's) creative experiences expressed as a written essay (the A-side) and video essay (the B-side)