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by IY, Yancey Strickler, and 1 more
Collector #445
Economic precarity is up. Market demands are too. People are drowning in digital overload. Political threats loom. The second Anonymous Creative Futures survey shares what 300+ anon artists and creators feel about this moment, their words 100%.
by Anna Zhang
Collector #456
Mean Hand is a typeface made from the average of thousands of individual samples in the EMNIST dataset: 814,255 handwritten characters gathered by the US government in the early 1990s to automate Census form processing. The font covers the full alphabet and digits across nine weights.
by A Thousand Forests, Enrique H, and 2 more
Collector #572
"Legal Structures for Creative Practices" is an illustrated zine designed for creative entrepreneurs that unpacks the pros, cons, and nuances of various legal structures to help choose the one that will best suit their unique practice. View the digital zine at: AThousandForests.com
by Janez, Aksioma - Institute for Contemporary Art, Ljubljana, and 1 more
Collector #15
Contributors: Asia Bazdyrieva, Ranjodh Singh Dhaliwal, Anthony Downey, FRAUD (Audrey Samson and Francisco Gallardo), Chris Lee, Jussi Parikka, Laura Tripaldi
by Nadia Asparouhova, and Leïth Benkhedda
Collector #161
Why do some ideas spread like wildfire, while others resist being seen — despite their importance? A new book by Nadia Asparouhova explores the emerging phenomenon of antimemetics. Published by the Dark Forest Collective.
by Arthur Röing Baer, Rebecca Fox, and 8 more
Collector #635
This is a book about how to survive on the internet. It’s about the cozy web, the dark web, the dark forest, the clear net, the dark net, and a new social world emerging around us. This is The Dark Forest Anthology of the Internet (second printing)
by Janez, Noura Tafeche, and 1 more
Collector #27
Aestheticisation of Violence in Military, Gaming, Social Media Cultures and Other Stories